So getting to play with that version of Wonder Woman, which was something we hadn‘t gotten to touch on yet in the first film, was something that I realized I wanted to do right up front, because our story would not allow for her to have much more of that, because I always end up engaged with the main character‘s point of view. Lynda Carter‘s Wonder Woman was such a huge moment for Wonder Woman and her history in the world, and huge to me, because that‘s what I grew up watching. ”We won‘t be doing that today.” Where they‘re just on top of the world and you‘re watching them take care of everything. It‘s something that I love in so many superhero films. In addition, I was craving seeing Wonder Woman at the height of her powers and having a good time, saving the day with no stakes.

So we immediately wanted to have a fun and engaging playful scene, which I‘m very excited to be with kids and watch them watch this scene. It‘s the heroes of tomorrow you‘re trying to inspire. So the immediate thing is, how do you do that and reach the audience that is most important to reach with that kind of message? Which is the youth audience. ”What are you doing?” What was most important to me about this scene, was when I thought about what we were going to do with the second film, I realized we wanted to say something much more serious and kind of important than we did with the first film.

And the first scene where we see Wonder Woman as an adult in our film. The only thing we‘ve seen leading up to this is a flashback. It is the first scene in the film that happens to take place in current day. I am the director of Wonder Woman 1984.” ”We need the police here right now!” So this is a scene which we had so much fun doing. Transcript ‘Wonder Woman 1984’ | Anatomy of a Scene Patty Jenkins narrates a sequence from her film.

Wonder Woman instal the new for mac